Hand-painted Chinese fine brush art

Hand-painted Chinese gongbi paintings for quiet interiors and meaningful gifts.

A small family studio presenting original Chinese fine brush paintings, silk fans, and framed wall art made slowly with fine linework, soft color, and traditional subject matter.

Hand-painted silk fan with nesting sparrows Framed gongbi painting inspired by Fahai Temple mural art

From one studio, one piece at a time

Each work is painted by hand, prepared in small numbers, and documented with its size, material, time, and story.

Our first release focuses on two pieces: a silk round fan inspired by a Southern Song bird-and-flower composition, and a framed gongbi study inspired by the celebrated Buddhist murals of Fahai Temple in Beijing.

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Available works

Two opening pieces

Framed gongbi painting

Bodhisattva With Dharma Mirror

$399

This framed work is drawn from the visual world of Fahai Temple in Beijing, whose Ming dynasty murals were completed in 1443 and are regarded among the finest surviving examples of Chinese court Buddhist painting. The original murals once surrounded worshippers with a celestial assembly of Buddhas, bodhisattvas, heavenly beings, flowers, clouds, jewels, and patterned robes, creating an image of paradise through disciplined line and brilliant color.

The bodhisattva figure sits on a lotus seat and holds a dharma mirror. In Buddhist visual culture, the lotus suggests purity rising from the ordinary world, while the mirror evokes clarity, reflection, and insight into the nature of reality. The calm face, layered robes, cloud forms, and ornamental details are not merely decorative; they create a devotional atmosphere, one in which beauty becomes a way of contemplating stillness and compassion.

Frame size
30 x 30 x 3.5 cm
Painting time
25 days
Format
Wood-framed artwork
Availability
One piece

Historical reference

Beijing Fahai Temple Buddhist murals

Fahai Temple stands at the southern foot of Cuiwei Mountain in western Beijing. Its main hall was built from 1439 to 1443 under the Ming court, and the surviving Buddhist murals are celebrated for palace-level linework, mineral pigments, flowing clouds, jeweled ornaments, and raised gold detail. The bodhisattva in this artwork is taken from the west-wall composition often described as a celestial gathering with flying figures and four bodhisattvas; the figure holding the mirror is adapted into a single framed study.

Sources: Palace Museum, ChinaCulture

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